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- <h1 class="box-info-main-title">About</h1>
- <h2>Resource list</h2>
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- <p><b>STATE ARCHIVES OF PRATO RESOURCE SELECTION</b></p>
- <p>ASPO contributed to the project the data derived from the Datini online project and
- those concerning the Misericordia e Dolce Hospital fund, including the carteggio
- Marcovaldi and the "signals" regarding the so-called "gettatelli" (foundlings).</p>
- <p>The data for the Datini fund required numerous adaptations in
- particular with regard to the authority records, i.e., the records of the
- individuals involved in the correspondence as senders, recipients or in other roles.
- Since we are dealing with more than 5,000 individuals, the revision operations focused
- on normalizing certain aspects, but cannot be considered complete,
- it therefore remains a work in progress that the Archives will continue internally and -
- hopefully - with input from the scientific community. </p>
- <p>There are some aspects of the work in particular that should be noted as
- still open: foreign names are sometimes given in the version found on the
- text, other times transformed into an italianized version or into the
- current language of the country of origin; the identification of some subjects is still
- in progress, it is therefore possible that the same subject appears several times
- in the database. Identification will also have to be done
- (from a scientific and therefore computerized point of view) of the subjects mentioned in the
- lemmatized correspondence with respect to the authority records, so as to link
- the two datasets more effectively.</p>
- <p>
- The Hospital Fund should also be considered a work in progress, particularly
- regarding the analysis of documents on abandoned childhood, which is a topic that
- ASPO intends to continue to explore by proceeding backward from the period so far
- here analyzed.
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- Elisa Brunoni <br/>
- Archival Officer <br />
- State Archives of Prato
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- <p><b>"PALAZZO PRETORIO" MUSEUM RESOURCE SELECTION - CLARIFICATIONS</b></p>
- <p>In the belief that different institutions can and should dialogue on topics that are
- extremely connected given that each discipline is not stand-alone, the Museum of Palazzo Pretorio has in this
- first phase developed together with the Prato State Archives two themes for which there was a cross-reference
- mutuality. These are the figure of Francesco di Marco Datini for whom the Museum has made available
- records of works of art related to the iconography and the Hospital of Misericordia e Dolce, from which come
- many works preserved in the municipal collection. The bibliography published so far has considered as
- "from the hospital" a large number of works of art found from the second half of the 19th
- century in the municipal collections: these actually left the hospital premises to be
- worthily displayed in the Municipal Gallery, which opened in 1858. The research conducted in recent years,
- including through the review of archival documentation (minutes, inventories, registers of
- entry/exit...), have been able to clarify some points and, consequently, to subdivide this large nucleus
- of works generically indicated as coming from the hospital into at least three groups: works
- commissioned by the hospital and preserved by it since the 14th century; works that came
- to the hospital through donations or testamentary bequests; works that merely passed through the hospital for
- a certain period of time and then passed into the art collections of the City of Prato and were exhibited to the
- public - whose ownership by the hospital is therefore not proven. Thanks to the project, it has been
- possible to make these first two subdivisions evident, that is, one can search for works
- commissioned by the hospital and those from the so-called "Martini Gallery," which reached
- to the hospital institution as part of the legacy of Giovanni Martini.</p>
- <p>The records that the Museum of Palazzo Pretorio makes available are those that have been made so far regarding
- the works of art that, within the museum itinerary, are part of the permanent collection: the work is
- <i>in fieri</i> and these same subgroups could hopefully grow by considering on the one hand the works
- placed in the Municipal Palace and, on the other hand, those that are not on public display because they are kept in the deposits
- of the museum.
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- Rita Iacopino <br/>
- Scientific Director <br />
- "Palazzo Pretorio" Museum - Prato
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