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  51. 	</nav>
    52. 

  52. 

  53. <div id="title">
    54. 

  54. </div>
    55. 

  55. 

  56. <div class = "row" id="container_lettera">
    57. 

  57.   <div class = "col-6 container">
    58. 

  58.   	<div class="row headInfo">
    59. 

  59.   		<div class="col" id="infoBox"> 
    60. 

  60. 	  			Informations
    61. 

  61. 	  	</div>
    62. 

  62.   	</div>
    63. 

  63.   	
    64. 

  64. 		<div class="row btn-group" id="choice_buttons" role="group">
    65. 

  65.   		<div class="col infoChoice"> 
    66. 

  66. 	  			<button type="button" class="btn btn-outline-secondary active" onClick="show_miniatura()">Illumination</button>
    67. 

  67. 	  	</div>
    68. 

  68. 	  	<div class="col infoChoice"> 
    69. 

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    70. 

  70. 	  	</div>
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  71. 	  	<div class="col infoChoice"> 
    72. 

  72. 	  			<button type="button" class="btn btn-outline-secondary" onClick="show_misurazione()">Measurements</button>
    73. 

  73. 	  	</div>
    74. 

  74. 	  </div>
    75. 

  75. 		  
    76. 

  76.   	<div class="row">
    77. 

  77.   		<div class="col" id="info_lettera">
    78. 

  78. 

  79. 				  <!-- MINIATURA -->
    80. 

  80. 

  81. 				  <div id="MIN_info">
    82. 

  82. 						<div class="row">
    83. 

  83. 							<div class="col">
    84. 

  84. 								Title: 
    85. 

  85. 							</div>
    86. 

  86. 						<div id="data_partenza_id" class="col-8">
    87. 

  87. 							Presentation in the Temple, Historiated initial S from a Gradual
    88. 

  88. 						</div>
    89. 

  89. 						</div>
    90. 

  90. 						<div class="row">
    91. 

  91. 				  		<div class="col">
    92. 

  92. 				  			Type: 
    93. 

  93. 				  		</div>
    94. 

  94. 						<div id="luogo_partenza_id" class="col-6">Illumination</div>
    95. 

  95. 						<div id="luogo_partenza_btn" class="col-2"><a href="http://vocab.getty.edu/aat/300264522"><button type="button" class="aat btn btn-default" alt="aat" title="aat"><i class="fa fa-bullseye" aria-hidden="true"></i><p class="btn-text" style="border-bottom: none;">AAT</p></button></a></div>
    96. 

  96. 				  	</div>
    97. 

  97. 				  	<div class="row">
    98. 

  98. 				  		<div class="col">
    99. 

  99. 				  			Author: 
    100. 

  100. 				  		</div>
    101. 

  101. 							<div id="luogo_partenza_id" class="col-5">Don Silvestro dei Gherarducci (1339-1399)</div>
    102. 

  102. 							<div id="luogo_partenza_btn" class="col-1"><a href="http://viaf.org/viaf/95822894/#Silvestro,_dei_Gherarducci,_1339-1399"><button type="button" class="per btn btn-default" alt="viaf" title="viaf"><i class='fa fa-user-circle'></i><p class="btn-text" style="border-bottom: none;">VIAF</p></button></a></div>
    103. 

  103. 							<div id="luogo_partenza_btn" class="col-2"><a href="http://vocab.getty.edu/page/ulan/500022992"><button type="button" class="per btn btn-default" alt="ulan" title="ulan"><i class='fa fa-user-circle'></i><p class="btn-text" style="border-bottom: none;">ULAN</p></button></a></div>
    104. 

  104. 				  	</div>
    105. 

  105. 				  	<div class="row">
    106. 

  106. 				  		<div class="col">
    107. 

  107. 				  			Origin: 
    108. 

  108. 				  		</div>
    109. 

  109. 						<div id="luogo_partenza_id" class="col-6">Florence</div>
    110. 

  110. 						<div id="luogo_partenza_btn" class="col-2"><a href="http://restore.ovi.cnr.it/mockup/Luogo.html?link=http://dev.restore.ovi.cnr.it/vocabularies/places/161"><button type="button" class="place btn btn-default" alt="firenze" title="firenze"><i class="far fa-map"></i><p class="btn-text" style="border-bottom: none;">Place card</p></button></a></div>
    111. 

  111. 				  	</div>
    112. 

  112. 						<div class="row">
    113. 

  113. 							<div class="col">
    114. 

  114. 								Datation:
    115. 

  115. 							</div>
    116. 

  116. 						<div id="data_partenza_id" class="col-8">
    117. 

  117. 							1370-1375
    118. 

  118. 						</div>
    119. 

  119. 						</div>
    120. 

  120. 						<div class="row">
    121. 

  121. 							<div class="col">
    122. 

  122. 								Description:
    123. 

  123. 							</div>
    124. 

  124. 						<div id="data_partenza_id" class="col-8">
    125. 

  125. 							The initial S introduced the Mass for the feast of the Purification of the Virgin (2 February) in Corale 2, a Gradual made for the monastery of <a href=" https://www.mirabileweb.it/search-place/italia-toscana-firenze-s-maria-degli-angeli-monast-place/1044/6129">Santa Maria degli Angeli</a> in Florence in 1370-1375. As in many medieval and Renaissance images, the Purification of the Virgin, indicated by the white dove in Joseph’s hands, is conflated with the Circumcision of Christ. Mary and Joseph have entrusted the infant Christ to Simeon and Anna, while the priest behind, knife in hand, is ready to perform the circumcision. Painted by Don Silvestro dei Gherarducci, the image reveals his debt to Sienese painting. The model for the composition is <a href="http://vocab.getty.edu/ulan/500012547">Ambrogio Lorenzetti</a>’s eponymous <a href="https://www.wikidata.org/wiki/Q3910903">altarpiece</a> completed in 1342 for the Crescentius Chapel in Siena Cathedral (now in the Uffizi, Florence). The tiled floor imparts a sense of depth to the pictorial space. The intricate designs on the haloes, each displaying a different pattern, emulate the innovative punchwork of Sienese artists from the early 1300s. Three different blue pigments were used in this image: most blue areas were painted with ultramarine, occasionally shaded with an organic red dye which yields a purplish hue, visible in the temple’s walls and in the folds of Anna’s mantle. Ultramarine was also used for the blue leaves in the border, but azurite was added in the dark blue areas, and the leaves were outlined with indigo.
    126. 

  126. 						</div>
    127. 

  127. 						</div>
    128. 

  128. 						<div class="row">
    129. 

  129. 							<div class="col">
    130. 

  130. 								Material:
    131. 

  131. 							</div>
    132. 

  132. 						<div id="data_partenza_id" class="col-8">
    133. 

  133. 							Parchment, mounted on cardboard
    134. 

  134. 						</div>
    135. 

  135. 						</div>
    136. 

  136. 						<div class="row">
    137. 

  137. 							<div class="col">
    138. 

  138. 								Dimensions:
    139. 

  139. 							</div>
    140. 

  140. 						<div id="data_partenza_id" class="col-8">
    141. 

  141. 							300 x 270 mm
    142. 

  142. 						</div>
    143. 

  143. 						</div>
    144. 

  144. 						<div class="row">
    145. 

  145. 				  		<div class="col">
    146. 

  146. 				  			Holding institution: 
    147. 

  147. 				  		</div>
    148. 

  148. 							<div id="luogo_partenza_id" class="col-6">Fitzwilliam Museum, University of Cambridge</div>
    149. 

  149. 							<div id="luogo_partenza_btn" class="col-2"><a href="https://fitzmuseum.cam.ac.uk/"><button type="button" class="ftz btn btn-default" alt="fitzmuseum" title="fitzmuseum"><i class="fa fa-landmark"></i> <p class="btn-text" style="border-bottom: none;">FITZMUSEUM</p></button></a></div>
    150. 

  150. 				  	</div>
    151. 

  151. 

  152. 				  	<div class="row">
    153. 

  153. 				  		<div class="col">
    154. 

  154. 				  			Alternative ID:
    155. 

  155. 				  		</div>
    156. 

  156. 							<div id="luogo_partenza_id" class="col-6">Marlay cutting It. 13A</div>
    157. 

  157. 							<div id="luogo_partenza_btn" class="col-2"><a href="https://www.fitzmuseum.cam.ac.uk/illuminated/manuscript/discover/initials-from-choir-books/section/material/folio/marlay-cutting-it-13a/section/material"><button type="button" class="ftz btn btn-default" alt="fitzmuseum" title="fitzmuseum"><i class="fa fa-landmark"></i> <p class="btn-text" style="border-bottom: none;">FITZMUSEUM</p></button></a></div>
    158. 

  158. 				  	</div>
    159. 

  159. 					</div>
    160. 

  160. 

  161. 				  <!-- MANOSCRITTO -->
    162. 

  162. 

  163. 				  <div id="MANU_info" style="display:none;">
    164. 

  164. 				  	<div class="row">
    165. 

  165. 				  		<div class="col">
    166. 

  166. 				  			Shelfmark: 
    167. 

  167. 				  		</div>
    168. 

  168. 						<div id="luogo_partenza_id" class="col-6">Firenze, Biblioteca Medicea Laurenziana, Corali 2</div>
    169. 

  169. 						<div id="luogo_partenza_btn" class="col-2"><a href="http://www.mirabileweb.it/manuscript/firenze-biblioteca-medicea-laurenziana-corali-2-manoscript/31259"><button type="button" class="bml btn btn-default" alt="bml" title="bml"><i class="fas fa-book-open"></i> <p class="btn-text" style="border-bottom: none;">MIRABILE</p></button></a></div>
    170. 

  170. 

  171. 				  	</div>
    172. 

  172. 						<div class="row">
    173. 

  173. 				  		<div class="col">
    174. 

  174. 				  			Type: 
    175. 

  175. 				  		</div>
    176. 

  176. 						<div id="luogo_partenza_id" class="col-6">Choirbook</div>
    177. 

  177. 						<div id="luogo_partenza_btn" class="col-2"><a href="http://vocab.getty.edu/page/aat/300026422"><button type="button" class="place btn btn-default" alt="firenze" title="aat"><i class="fa fa-bullseye" aria-hidden="true"></i><p class="btn-text" style="border-bottom: none;">AAT</p></button></a></div>
    178. 

  178. 				  	</div>
    179. 

  179. 						<div class="row">
    180. 

  180. 							<div class="col">
    181. 

  181. 								Datation: 
    182. 

  182. 							</div>
    183. 

  183. 						<div id="data_partenza_id" class="col-8">
    184. 

  184. 							a. 1371
    185. 

  185. 						</div>
    186. 

  186. 						</div>
    187. 

  187. 						<div class="row">
    188. 

  188. 							<div class="col">
    189. 

  189. 								Datation notes:
    190. 

  190. 							</div>
    191. 

  191. 						<div id="data_partenza_id" class="col-8">
    192. 

  192. 							dated February 1370 according to the <a href="https://www.wikidata.org/wiki/Q7198172">Florentine year</a> on f. 207r and at the bottom of the initial on f. 161v
    193. 

  193. 						</div>
    194. 

  194. 						</div>
    195. 

  195. 						<div class="row">
    196. 

  196. 				  		<div class="col">
    197. 

  197. 				  			Origin: 
    198. 

  198. 				  		</div>
    199. 

  199. 						<div id="luogo_partenza_id" class="col-6">Florence</div>
    200. 

  200. 						<div id="luogo_partenza_btn" class="col-2"><a href="http://restore.ovi.cnr.it/mockup/Luogo.html?link=http://dev.restore.ovi.cnr.it/vocabularies/places/161"><button type="button" class="place btn btn-default" alt="firenze" title="firenze"><i class="far fa-map"></i><p class="btn-text" style="border-bottom: none;">Scheda Luogo</p></button></a></div>
    201. 

  201. 				  	</div>
    202. 

  202. 				  	<div class="row">
    203. 

  203. 				  		<div class="col">
    204. 

  204. 				  			Material: 
    205. 

  205. 				  		</div>
    206. 

  206. 						<div id="luogo_partenza_id" class="col-6">Parchment</div>
    207. 

  207. 						<div id="luogo_partenza_btn" class="col-2"><a href="http://vocab.getty.edu/aat/300011851"><button type="button" class="aat btn btn-default" alt="aat" title="aat"><i class="fa fa-bullseye" aria-hidden="true"></i><p class="btn-text" style="border-bottom: none;">AAT</p></button></a></div>
    208. 

  208. 				  	</div>
    209. 

  209. 						<div class="row">
    210. 

  210. 							<div class="col">
    211. 

  211. 								Description: 
    212. 

  212. 							</div>
    213. 

  213. 							<div id="data_arrivo_id_ASPO" class="col-8">
    214. 

  214. 								ff. I, 187, I'; old numbering in red ink in the centre of the upper margin up to f. 171, later continued in black ink in the eastern upper corner of ff. 172-207; another numbering in thin pen and black ink in a very small form in the outer upper corner, also reaching 207 due to the loss or removal of ff. 15, 18, 23, 32, 42, 49, 56, 60, 80, 90, 97, 104, 113, 119, 134, 137, 142, 148, 155, 159; ff. I, I' cart. mod. ; folios 1 (8), 2 (7), 3 (6), 4 (7), 5 (8), 6 (7), 7 (6), 8 (7), 9 (8), 10 (7), 11 (8), 12 (7), 13 (6), 14 (8), 15 (6), 16 (8), 17 (7), 18 (6), 19 (7), 20 (6), 21 (10), 22 (3), 23-25 (8), 26 (10): on fol. 2, f. seventh ff. missing, in fasc. 3 ff. second and seventh missing, in fasc. 4 f. eighth missing, in fasc. 6 f. second missing, in fasc. 7 ff. first and eighth missing, in fasc. 8 f. fourth missing, in fasc. 10 f. eighth missing, in fasc. 12 f. second missing, in fasc. 13 ff. first and eighth missing, in fasc. 15 ff. first and seventh missing, in fasc. 17 f. sixth missing, in fasc. 18 ff. first and sixth missing, in fasc. 19 f. fourth missing, in fasc. 20 ff. third and seventh ff. missing; recalls in the fascicles at the centre of the bottom margin (missing in fasc. 4, 7, 10, 13 due to the removal of the final pages, i.e. 32, 56, 80, 104; in fasc. 11 due to erasure; in fasc. 21, 22, 23 due to non-accidental causes). Dimensions: 681 x 451 (f. 161r); writing span: 48 [494] 139 x 50/8 [280] 8/105 (f. 161r); rr. 42/ll. 7 + 7 tetragrammaton (f. 161r), dry-ruled: occasional traces of colour and red ink on the lines of the tetragrammaton.
    215. 

  215. 						</div>
    216. 

  216. 						</div>
    217. 

  217. 						<div class="row">
    218. 

  218. 							<div class="col">
    219. 

  219. 								Decorations: 
    220. 

  220. 							</div>
    221. 

  221. 						<div id="segnatura_id_ASPO" class="col-8">
    222. 

  222. 							the illuminations have been attributed to the Maestro della Canzoni (Levi D'Ancona 1994: ff. 6v, 20v, 37v), Simone Camaldolese (Levi D'Ancona 1994: f. 134) and Silvestro dei Gherarducci (Levi D'Ancona 1994: remaining illuminations; Freuler 1994).
    223. 

  223. 						</div>
    224. 

  224. 						</div>
    225. 

  225. 						<div class="row">
    226. 

  226. 							<div class="col">
    227. 

  227. 								Colophon: 
    228. 

  228. 							</div>
    229. 

  229. 						<div id="consistenzaASPO" class="col-8">
    230. 

  230. 							At f. 207r: Completus est liber iste Anno domini MCCCLXX. VII kalendas februarii. In loco sancte Marie de Angelis de Florentia. Cuius liber est iste Deo gratias. Amen. Mando ergo lectori Christum roget ore fideli ut det scriptori post mortem gaudia celi; iscrizione sul fondo dell'iniziale al f. 161v: monasterii sancte marie de angelis de florentia MCCCLXX.
    231. 

  231. 						</div>
    232. 

  232. 						</div>
    233. 

  233. 						<div class="row">
    234. 

  234. 				  		<div class="col">
    235. 

  235. 				  			Current holding institution: 
    236. 

  236. 				  		</div>
    237. 

  237. 						<div id="luogo_partenza_id" class="col-6">Firenze, Biblioteca Medicea Laurenziana.</div>
    238. 

  238. 						<div id="luogo_partenza_btn" class="col-2"><a href="http://mss.bmlonline.it/s.aspx?Id=AWOS3yhcI1A4r7GxMdbl&c=EPISTOLARIUM%20LITURGICUM%20NEC%20NON%20MENOLOGIUM%20GRAECORUM#/book"><button type="button" class="bml btn btn-default" alt="bml" title="bml"><i class="fa fa-book"></i> <p class="btn-text" style="border-bottom: none;">BML</p></button></a></div>
    239. 

  239. 				  	</div>
    240. 

  240. 

  241. 						<div class="row">
    242. 

  242. 				  		<div class="col">
    243. 

  243. 				  			Former holding institution: 
    244. 

  244. 				  		</div>
    245. 

  245. 						<div id="luogo_partenza_id" class="col-6">Firenze, S. Maria degli Angeli, monastero OSBCam (sec. XIV terzo quarto-XIX in.).</div>
    246. 

  246. 

  247. 						<div id="luogo_partenza_btn" class="col-2"><a href="http://www.mirabileweb.it/search-place/italia-toscana-firenze-s-maria-degli-angeli-monast-place/1044/6129"><button type="button" class="bml btn btn-default" alt="bml" title="bml"><i class="fas fa-book-open"></i> <p class="btn-text" style="border-bottom: none;">MIRABILE</p></button></a></div>
    248. 

  248. 				  	</div>
    249. 

  249. 						<div class="row">
    250. 

  250. 							<div class="col">
    251. 

  251. 								Manuscript history:
    252. 

  252. 							</div>
    253. 

  253. 						<div id="ownerASPO" class="col-8">
    254. 

  254. 							Label on the upper plate with markings in pen and ink Corali 2. Marking on the back cover in the upper east corner with paper label R. Biblioteca/ Medicea Laurenziana / Cor./ 2 and next to it in pencil: Corali 2, same mark in the centre; on f. Ir (mod. in pencil in the centre): Corale 2, on f. 1r (mod. in coloured pencil in the lower margin): B.
    255. 

  255. 						</div>
    256. 

  256. 						</div>
    257. 

  257. 						<div class="row">
    258. 

  258. 							<div class="col">
    259. 

  259. 								Bibliography:
    260. 

  260. 							</div>
    261. 

  261. 						<div id="ownerASPO" class="col-8">
    262. 

  262. 							Catalogo manoscritti scelti f. 82v; Baldelli Cherubini Manoscritti (1972) p. 43; Levi D'Ancona Corali (1978) pp. 146-147 n. 803, 213-235; Levi D'Ancona Arte e politica (1979) pp. 461-487; Cod. lit. min. (1982) pp. 15-29; Levi D'Ancona Min. fior. (1985) pp. 451-464; Ciaranfi Scelta (1988); Fitzgerald Ocelli (1992); Painting and Illum. (1994) pp. 44-361; Levi D'Ancona Choir Books (1994); Corali Angeli (1995) pp. 17-32, 77-85; Freuler Tendencies (1997) vol. VII II; Baroffio Musim (2000) (pp. 449-491); Gordon Ital. Paintings (2003) vol. I; DBMI (2004) pp. 64-66, 400-401; Bent Monastic Art (2006); Freuler Gli inizi (2006) (pp. 75-83); Lorenzo Monaco (2006) pp. 252-254, 264-265, 266-271, 272-276, 277-279, 280-284, 292-295; Labriola Lorenzo Monaco (2006) pp. 85-95; Malafarina Splendori (2006) pp. 58-59; Lorenzo Monaco. Guida (2006); Renkin Images (2009) pp. 173-181. <br />
    263. 

  263. 							<i>Per approfondire vedi <a href="http://opac.bml.firenze.sbn.it/Bibliografia.htm?idlist=&record=365212418349">OPAC SBN</a></i>
    264. 

  264. 						</div>
    265. 

  265. 						</div>
    266. 

  266. 						<div class="row">
    267. 

  267. 							<div class="col">
    268. 

  268. 								Historical notes:
    269. 

  269. 							</div>
    270. 

  270. 						<div id="ownerASPO" class="col-8">
    271. 

  271. 							The manuscript is part of the gradual cycle passed from the monastery of S. Maria degli Angeli to the Biblioteca Medicea Laurenziana. <br />
    272. 

  272. 							<i>Per approfondire vedi <a href="http://dedalus.bmlonline.it/manuscriptDetails.aspx?Holdinglocation=Corali%202">DEDALUS</a></i>
    273. 

  273. 						</div>
    274. 

  274. 						</div>
    275. 

  275. 

  276. 

  277. 					</div>
    278. 

  278. 

  279. 					<!-- MISURAZIONI -->
    280. 

  280. 

  281. 					<div id="MISU_info" style="display:none;">
    282. 

  282. 				  	<div class="row">
    283. 

  283. 				  		<div class="col">
    284. 

  284. 				  			Ids: 
    285. 

  285. 				  		</div>
    286. 

  286. 						<div id="data_partenza_id" class="col-8">MAXRF Manuscript, local</div>
    287. 

  287. 				  	</div>
    288. 

  288. 				  	<div class="row">
    289. 

  289. 				  		<div class="col">
    290. 

  290. 				  			Title: 
    291. 

  291. 				  		</div>
    292. 

  292. 						<div id="data_partenza_id" class="col-8">Marlay cutting It. 13A </div>
    293. 

  293. 				  	</div>
    294. 

  294. 				  	<div class="row">
    295. 

  295. 				  		<div class="col">
    296. 

  296. 				  			Description: 
    297. 

  297. 				  		</div>
    298. 

  298. 				  		<div id="descrizione_id" class="col-8">
    299. 

  299. 				  		Scanning X-ray fluorescence spectroscopy (MAXRF)</div>
    300. 

  300. 				  	</div>
    301. 

  301. 				  	<div class="row">
    302. 

  302. 				  		<div class="col">
    303. 

  303. 				  			Type: 
    304. 

  304. 				  		</div>
    305. 

  305. 						<div id="data_partenza_id" class="col-8">
    306. 

  306. 						XRF Imaging | X-ray Fluorescence</div>
    307. 

  307. 				  	</div>
    308. 

  308. 				  	<div class="row">
    309. 

  309. 				  		<div class="col">
    310. 

  310. 				  			Date: 
    311. 

  311. 				  		</div>
    312. 

  312. 						<div id="data_partenza_id" class="col-8"></div>
    313. 

  313. 					</div>
    314. 

  314. 				  	<div class="row">
    315. 

  315. 				  		<div class="col">
    316. 

  316. 				  			Activity motivation/Goal: 
    317. 

  317. 				  		</div>
    318. 

  318. 				  		<div id="data_partenza_id" class="col-8">
    319. 

  319. 				  			knowledge of the original pigments <br />
    320. 

  320. 				  			study of the painting technique|study of the creative process <br />
    321. 

  321. 				  			information on the conservation state <br />
    322. 

  322. 				  			identification of the restored areas and of the used materials<br />
    323. 

  323. 				  			visualization of the back of the single pages
    324. 

  324. 				  		</div>
    325. 

  325. 				  	</div>
    326. 

  326. 				  	<div class="row">
    327. 

  327. 				  		<div class="col">
    328. 

  328. 				  			Subject: 
    329. 

  329. 				  		</div>
    330. 

  330. 				  		<div id="data_arrivo_id" class="col-8"></div>
    331. 

  331. 				  	</div>
    332. 

  332. 				  	<div class="row">
    333. 

  333. 				  		<div class="col">
    334. 

  334. 				  			Author: 
    335. 

  335. 				  		</div>
    336. 

  336. 						<div id="data_partenza_id" class="col-8"></div>
    337. 

  337. 				  	</div>
    338. 

  338. 				  	<div class="row">
    339. 

  339. 				  		<div class="col">
    340. 

  340. 				  			Keywords: 
    341. 

  341. 				  		</div>
    342. 

  342. 				  		<div id="lingua_id" class="col-8">
    343. 

  343. 				  			pictorial pigments; pictorial surface; restoration materials 
    344. 

  344. 				  		</div>
    345. 

  345. 				  	</div>
    346. 

  346. 				  	<div class="row">
    347. 

  347. 				  		<div class="col">
    348. 

  348. 				  			Language: 
    349. 

  349. 				  		</div>
    350. 

  350. 				  		<div id="area_linguistica_id" class="col-8">English</div>
    351. 

  351. 				  	</div>
    352. 

  352. 				  	<div class="row">
    353. 

  353. 				  		<div class="col">
    354. 

  354. 				  			Format: 
    355. 

  355. 				  		</div>
    356. 

  356. 						<div id="data_partenza_id" class="col-8">EDF|TIFF</div>
    357. 

  357. 				  	</div>
    358. 

  358. 				  	<div class="row">
    359. 

  359. 				  		<div class="col">
    360. 

  360. 				  			Standard: 
    361. 

  361. 				  		</div>
    362. 

  362. 						<div id="data_partenza_id" class="col-8">EDF|TIFF</div>
    363. 

  363. 				  	</div>
    364. 

  364. 				  	<div class="row">
    365. 

  365. 				  		<div class="col">
    366. 

  366. 				  			Preliminary Analysis: 
    367. 

  367. 				  		</div>
    368. 

  368. 						<div id="data_partenza_id" class="col-8">
    369. 

  369. 							Infrared reflectography<br />
    370. 

  370. 							Near-infrared imaging|Optical microscopy<br />
    371. 

  371. 							Raman spectroscopy|UV-vis-NIR reflectance spectroscopy<br />
    372. 

  372. 							X-ray fluorescence spectroscopy
    373. 

  373. 						</div>
    374. 

  374. 				  	</div>
    375. 

  375. 				  	<div class="row">
    376. 

  376. 				  		<div class="col">
    377. 

  377. 				  			People/institutions involved in the analysis: 
    378. 

  378. 				  		</div>
    379. 

  379. 						<div id="data_partenza_id" class="col-8">
    380. 

  380. 							ISPC X-rayLAB, Catania, Italy
    381. 

  381. 						</div>
    382. 

  382. 				  	</div>
    383. 

  383. 				  	<div class="row">
    384. 

  384. 				  		<div class="col">
    385. 

  385. 				  			People/institutions involved in the interpretation: 
    386. 

  386. 				  		</div>
    387. 

  387. 						<div id="data_partenza_id" class="col-8">
    388. 

  388. 							The Department of Manuscripts and Printed Books, Fitzwilliam Museum, Cambridge
    389. 

  389. 						</div>
    390. 

  390. 				  	</div>
    391. 

  391. 				  	<div class="row">
    392. 

  392. 				  		<div class="col">
    393. 

  393. 				  			Materiali: 
    394. 

  394. 				  		</div>
    395. 

  395. 						<div id="data_partenza_id" class="col-8"></div>
    396. 

  396. 				  	</div>
    397. 

  397. 				  	<div class="row">
    398. 

  398. 				  		<div class="col">
    399. 

  399. 				  			Metodo: 
    400. 

  400. 				  		</div>
    401. 

  401. 						<div id="data_partenza_id" class="col-8">
    402. 

  402. 							In-situ scientific investigation of the original pigments, the painting technique and the artistic process employed by artist
    403. 

  403. 						</div>
    404. 

  404. 				  	</div>
    405. 

  405. 				  	<div class="row">
    406. 

  406. 				  		<div class="col">
    407. 

  407. 				  			Physical Tool: 
    408. 

  408. 				  		</div>
    409. 

  409. 						<div id="data_partenza_id" class="col-8">
    410. 

  410. 							LANDIS-X MA-XRF scanner
    411. 

  411. 						</div>
    412. 

  412. 				  	</div>
    413. 

  413. 				  	<div class="row">
    414. 

  414. 				  		<div class="col">
    415. 

  415. 				  			Descrizione dello strumento: 
    416. 

  416. 				  		</div>
    417. 

  417. 						<div id="data_partenza_id" class="col-8">
    418. 

  418. 							mobile X-ray scanner 
    419. 

  419. 						</div>
    420. 

  420. 				  	</div>
    421. 

  421. 				  	<div class="row">
    422. 

  422. 				  		<div class="col">
    423. 

  423. 				  			Calibrazione dello strumento: 
    424. 

  424. 				  		</div>
    425. 

  425. 						<div id="data_partenza_id" class="col-8"></div>
    426. 

  426. 				  	</div>
    427. 

  427. 				  	<div class="row">
    428. 

  428. 				  		<div class="col">
    429. 

  429. 				  			Software: 
    430. 

  430. 				  		</div>
    431. 

  431. 						<div id="data_partenza_id" class="col-8"></div>
    432. 

  432. 				  	</div>
    433. 

  433. 				  	<div class="row">
    434. 

  434. 				  		<div class="col">
    435. 

  435. 				  			Parameters: 
    436. 

  436. 				  		</div>
    437. 

  437. 						<div id="data_partenza_id" class="col-8">
    438. 

  438. 							Painting Acquisition Parameters (Source voltage/current|Primary beam filter used (Filter material or type)|Beam spot dimension used|Beam Distance from artwork|Detector Distance (Distance from specimen to detector)|Scanning Mode|Beam Scan Spacing (pixel dimension)|Scan Matrix Dimensions X by Y|Number of total scan acquired|Scanning Speed|Pixel Acquisition Time (dwell time of the X-Ray Beam in milliseconds)|Time for Scan)
    439. 

  439. 						</div>
    440. 

  440. 				  	</div>
    441. 

  441. 				  	<div class="row">
    442. 

  442. 				  		<div class="col">
    443. 

  443. 				  			Source voltage/Current: 
    444. 

  444. 				  		</div>
    445. 

  445. 						<div id="data_partenza_id" class="col-8">
    446. 

  446. 							 50 kV/600µA
    447. 

  447. 						</div>
    448. 

  448. 				  	</div>
    449. 

  449. 				  	<div class="row">
    450. 

  450. 				  		<div class="col">
    451. 

  451. 				  			Primary beam filter: 
    452. 

  452. 				  		</div>
    453. 

  453. 						<div id="data_partenza_id" class="col-8"></div>
    454. 

  454. 				  	</div>
    455. 

  455. 				  	<div class="row">
    456. 

  456. 				  		<div class="col">
    457. 

  457. 				  			Beam spot dimension: 
    458. 

  458. 				  		</div>
    459. 

  459. 						<div id="data_partenza_id" class="col-8">
    460. 

  460. 							300µm
    461. 

  461. 						</div>
    462. 

  462. 				  	</div>
    463. 

  463. 				  	<div class="row">
    464. 

  464. 				  		<div class="col">
    465. 

  465. 				  			Beam distance from artwork: 
    466. 

  466. 				  		</div>
    467. 

  467. 						<div id="data_partenza_id" class="col-8">
    468. 

  468. 							18 mm
    469. 

  469. 						</div>
    470. 

  470. 				  	</div>
    471. 

  471. 				  	<div class="row">
    472. 

  472. 				  		<div class="col">
    473. 

  473. 				  			Detector distance: 
    474. 

  474. 				  		</div>
    475. 

  475. 						<div id="data_partenza_id" class="col-8">
    476. 

  476. 							15 mm
    477. 

  477. 						</div>
    478. 

  478. 				  	</div>
    479. 

  479. 				  	<div class="row">
    480. 

  480. 				  		<div class="col">
    481. 

  481. 				  			Scanning mode: 
    482. 

  482. 				  		</div>
    483. 

  483. 						<div id="data_partenza_id" class="col-8">
    484. 

  484. 							Continuous|Bi-directional
    485. 

  485. 						</div>
    486. 

  486. 				  	</div>
    487. 

  487. 				  	<div class="row">
    488. 

  488. 				  		<div class="col">
    489. 

  489. 				  			Scanning orientation mode: 
    490. 

  490. 				  		</div>
    491. 

  491. 						<div id="data_partenza_id" class="col-8">
    492. 

  492. 							Vertical
    493. 

  493. 						</div>
    494. 

  494. 				  	</div>
    495. 

  495. 				  	<div class="row">
    496. 

  496. 				  		<div class="col">
    497. 

  497. 				  			Beam scan spacing (pixel dimension): 
    498. 

  498. 				  		</div>
    499. 

  499. 						<div id="data_partenza_id" class="col-8">
    500. 

  500. 							 500µm (that can be dynamically changed)
    501. 

  501. 						</div>
    502. 

  502. 				  	</div>
    503. 

  503. 				  	<div class="row">
    504. 

  504. 				  		<div class="col">
    505. 

  505. 				  			Scan matrix dimension x by y: 
    506. 

  506. 				  		</div>
    507. 

  507. 						<div id="data_partenza_id" class="col-8">
    508. 

  508. 							446x490 (pixel), 223x245 mm2, full  area
    509. 

  509. 						</div>
    510. 

  510. 				  	</div>
    511. 

  511. 				  	<div class="row">
    512. 

  512. 				  		<div class="col">
    513. 

  513. 				  			Scanning speed: 
    514. 

  514. 				  		</div>
    515. 

  515. 						<div id="data_partenza_id" class="col-8">
    516. 

  516. 							10 mm/sec
    517. 

  517. 						</div>
    518. 

  518. 				  	</div>
    519. 

  519. 				  	<div class="row">
    520. 

  520. 				  		<div class="col">
    521. 

  521. 				  			Pixel Acquisition Time: 
    522. 

  522. 				  		</div>
    523. 

  523. 						<div id="data_partenza_id" class="col-8">
    524. 

  524. 							50 msec (that can be dynamically changed)
    525. 

  525. 						</div>
    526. 

  526. 				  	</div>
    527. 

  527. 				  	<div class="row">
    528. 

  528. 				  		<div class="col">
    529. 

  529. 				  			Time for scan: 
    530. 

  530. 				  		</div>
    531. 

  531. 						<div id="data_partenza_id" class="col-8">
    532. 

  532. 							3 hours
    533. 

  533. 						</div>
    534. 

  534. 				  	</div>
    535. 

  535. 				  
    536. 

  536. 				  </div>
    537. 

  537. 

  538. 			  </div>
    539. 

  539. 			</div>
    540. 

  540.   </div>
    541. 

  541. 

  542. 

  543. 

  544.   <div class = "col container" id="info_trascrizione">
    545. 

  545.   		<div class="row" id="head_trascrizione">
    546. 

  546. 	  		<div class="col box_title" id="trascrizione_titolo"> 
    547. 

  547. 	  			Images
    548. 

  548. 	  		</div>
    549. 

  549. 	  	</div>
    550. 

  550. 

  551. 	  	<div class="row btn-group" id="image_buttons" role="group">
    552. 

  552. 	  		<div class="col imageChoice"> 
    553. 

  553. 		  			<button type="button" class="btn btn-outline-secondary activeImage" onClick="show_riproduzione()">Natural light</button>
    554. 

  554. 		  	</div>
    555. 

  555. 		  	<div class="col imageChoice"> 
    556. 

  556. 		  			<button type="button" class="btn btn-outline-secondary" onClick="show_materiale()">Elements</button>
    557. 

  557. 		  	</div>
    558. 

  558. 		  	<div class="col imageChoice"> 
    559. 

  559. 		  			<button type="button" class="btn btn-outline-secondary" onClick="show_spettro()">Spectral imaging data</button>
    560. 

  560. 		  	</div>
    561. 

  561. 		  </div>
    562. 

  562. 

  563.   		<div class="row">
    564. 

  564. 	  		<div class="col" id="trascrizione_id"> 
    565. 

  565. 	  			<embed id="imageEmb" src="https://fitzmuseum.cam.ac.uk/illuminated/media/w1400h1400/folio_original/marlay-cutting-it-13a.jpg">
    566. 

  566. 	  		</div>
    567. 

  567. 	  	</div>
    568. 

  568. 	  	<div class="row" id="row_pl">
    569. 

  569. 	  		<div class="col" id="col_antroponimi">
    570. 

  570. 	  			<p>Anthroponyms</p>
    571. 

  571. 	  			<div class="row">
    572. 

  572. 	  				<p id="antroponimi">
    573. 

  573. 	  				</p>
    574. 

  574. 	  			</div>
    575. 

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    576. 

  576. 	  					<div class="col-7">Silvestro dei Gherarducci</div>
    577. 

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    579. 

  579. 	  				</div>
    580. 

  580. 	  				<div class="row">
    581. 

  581. 	  					<div class="col-7">Simone camaldolese</div>
    582. 

  582. 

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    585. 

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    586. 

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    587. 

  587. 	  		<div class="col" id="col_toponimi">
    588. 

  588. 	  			<p>Toponyms</p>
    589. 

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    591. 

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    604. 

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    613. 

  613. 	  				<a href="http://dedalus.bmlonline.it/manuscriptDetails.aspx?Holdinglocation=Corali%202">Dedalus</a>
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